This is a sociological reflection about life history. It’s about me because I’m the person I know best, and I have permission to reveal details of my life.
I was born in August 1967, making me 50 years old this month. But life experience is better thought of in cohort terms. Where was I and what was I doing, with whom, at different ages and stages of development? Today I’m thinking of these intersections of biography and history in terms of technology, music, and health.
Tech
We had a TV in my household growing up, it just didn’t have a remote control or cable service, or color. We had two phones, they just shared one line and were connected by wires. (After I moved out my parents got an answering machine.) When my mother, a neurobiologist, was working on her dissertation (completed when I was 10) in the study my parents shared, she used a programmable calculator and graph paper to plot the results of her experiments with pencil. My father, a topologist, drew his figures with colored pencils (I can’t describe the sound of his pencils drawing across the hollow wooden door he used for a desktop, but I can still hear it, along with the buzz of his fluorescent lamp). A couple of my friends had personal computers by the time I started high school, in 1981 (one TRS-80 and one Apple II), but I brought a portable electric typewriter to college in 1988. I first got a cell phone in graduate school, after I was married.
The first portable electronic device I had (besides a flashlight) was a Sony Walkman, in about 1983, when I was 16. At the time nothing mattered to me more than music. Music consumed a large part of my imagination and formed the scaffolding of most socializing. The logistics of finding out about, finding, buying, copying, and listening to music played an outsized role in my daily life. From about 1980 to 1984, most of the money I made at my bagel store job went to stereo equipment, concerts, records, blank tapes for making copies, and eventually drums (as well video games). I subscribed to magazines (Rolling Stone, Modern Drummer), hitchhiked across town to visit the record store, pooled money with friends to buy blank tapes, spent hours copying records and labeling tapes with my friends, and made road trips to concerts across upstate New York (clockwise from Ithaca: Geneva, Buffalo, Rochester, Syracuse, Saratoga, Binghamton, New York City, Elmira).
As I’m writing this, I thought, “I haven’t listened to Long Distance Voyager in ages,” tapped it into Apple Music on my phone, and started streaming it on my Sonos player in a matter of seconds, which doesn’t impress you at all – but the sensory memories it invokes are shockingly vivid (like an acid flashback, honestly) – and having the power to evoke that so easily is awesome, in the old sense of that word.
Some of us worked at the Cornell student radio station (I eventually spent a while in the news department), whose album-oriented rock playlist heavily influenced the categories and relative status of the music we listened to. The radio station also determined what music stayed in the rotation – what eventually became known by the then-nonexistent term classic rock – and what would be allowed to slip away; it was history written in real time.
It’s like 1967, in 1981
You could think of the birth cohort of 1967 as the people who entered the world at the time of “race riots,” the Vietnam and Six Day wars, the Summer of Love, the 25th Amendment (you’re welcome!), Monterey Pop, Sgt. Peppper’s, and Loving v. Virginia. Or you could flip through Wikipedia’s list of celebrities born in 1967 to see how impressive (and good looking) we became, people like Benicio del Toro, Kurt Cobain, Paul Giamatti, Nicole Kidman, Pamela Anderson, Will Ferrell, Vin Diesel, Phillip Seymour Hoffman, Matt LeBlanc, Michael Johnson, Liev Schreiber, Julia Roberts, Jimmy Kimmel, Mark Ruffalo, and Jamie Foxx.
But maybe it makes more sense to think of us as the people who were 14 when John Lennon made his great commercial comeback, with an album no one took seriously – only after being murdered. The experiences at age 14, in 1981, define me more than what was happening at the moment of my birth. Those 1981 hits from album-oriented rock mean more to me than the Doors’ debut in 1967. My sense of the world changing in that year was acute – because it was 1981, or because I was 14? In music, old artists like the Moody Blues and the Rolling Stones released albums that seemed like complete departures, and more solo albums – by people like Stevie Nicks and Phil Collins – felt like stakes through the heart of history itself (I liked them, actually, but they were also impostors).
One moment that felt at the time like a historical turning point was the weekend of September 19, 1981. My family went to Washington for the Solidarity Day rally, at which a quarter million people demonstrated against President Reagan and for organized labor, a protest fueled by the new president’s firing of the PATCO air traffic controllers the previous month (and inspired by the Solidarity union in Poland, too). Besides hating Reagan, we also feared a nuclear war that would end humanity – I mean really feared it, real nightmare fear.
A piece of radio news copy I wrote and read at WVBR, probably 1983. The slashes are where I’m going to take a breath. “Local AQX” is the name of the tape cartridge with the sound bite (“actuality”) from Alfred Kahn, and “OQ:worse” means that’s the last word coming out of the clip.
I don’t want to overdramatize the drama of 1981; I was basically fine. I came out with a penchant for Camus, a taste for art rock, and leftism, which were hardly catastrophic traits. Still, those events, and their timing, probably left a mark of cynicism, sometimes nihilism, which I carry today.
About 1984, with Daniel Besman (who later died) in Ithaca. Photo by Linda Galgani.
Maybe one reason 1981 felt like a musical watershed to me is because it really was, because pop music just got worse in the 1980s compared to the 1970s. To test (I mean prove, really) that hypothesis, I fielded a little survey (more like a game) that asked people to rate the same artists in both decades. I chose 58 artists by flipping through album charts from 1975-1984 and finding those that charted in both decades; then I added some suggestions from early respondents. To keep the task from being too onerous, as it required scoring bands twice from 1 (terrible) to 5 (great), once for each period, and some people found it difficult, I set the survey to serve each person just 10 artists at random (a couple of people did it more than once). The participants were 3/4 men, 3/4 over 40, and 3/4 White and US-born; found on Facebook, Twitter, and Reddit. The average artist was rated 11 times in each period (range 5 to 19). (Feel free to play along or share this link; I’ll update it if more come in.)
The results look very bad for the 1980s. The average change was a drop of .59, and only three acts showed noticeable improvement: Pat Benatar, Michael Jackson, and Prince (and maybe Talking Heads and the lowly Bryan Adams). Here is the full set (click to enlarge):
Technology and survival
I don’t think I would have, at age 14, given much weight to the idea that my life would repeatedly be saved by medical technology, but now that seems like business as usual, to me anyway. I guess as long as there’s been technology there have been people who owe their lives to it (and of course we’re more likely to hear from them than from those who didn’t make it). But the details are cohort-specific. These days we’re a diverse club of privileged people, our conditions, or their remnants, often hidden like pebbles wedged under the balls of our aging feet, gnawing reminders of our bodily precarity.
Family lore says I was born with a bad case of jaundice, probably something like Rh incompatibility, and needed a blood transfusion. I don’t know what would have happened without it, but I’m probably better off now for that intervention.
Sometime in my late teens I reported to a doctor that I had periodic episodes of racing heartbeat. After a brief exam I was sent home with no tests, but advised to keep an eye on it; maybe mitral valve prolapse, he said. I usually controlled it by holding my breath and exhaling slowly. We found out later, in 2001 – after several hours in the emergency room at about 200 very irregular beats per minute – that it was actually a potentially much more serious condition called Wolff-Parkinson-White syndrome. The condition is easily diagnosed nowadays, as software can identify the tell-tale “delta wave” on the ECG, and the condition is listed right there in the test report.
Two lucky things combined: (a) I wasn’t diagnosed properly in the 1980s (which might have led to open-heart surgery or a lifetime of unpleasant medication), and; (b) I didn’t drop dead before it was finally diagnosed in 2001. They fixed it with a low-risk radiofrequency ablation, just running a few wires up through my arteries to my heart, where they lit up to burn off the errant nerve ending, all done while I was almost awake, watching the action on an x-ray image and – I believed, anyway – feeling the warmth spread through my chest as the doctor typed commands into his keyboard.
Diverticulitis is also pretty easily diagnosed nowadays, once they fire up the CT scanner, and usually successfully treated by antibiotics, though sometimes you have to remove some of your colon. Just one of those things people don’t die from as much anymore (though it’s also more common than it used to be, maybe just because we don’t die from other things as much). I didn’t feel like much like surviving when it was happening, but I suppose I might have made it even without the antibiotics. Who knows?
More interesting was the case of follicular lymphoma I discovered at age 40 (I wrote about it here). There is a reasonable chance I’d still be alive today if we had never biopsied the swollen lymph node in my thigh, but that’s hard to say, too. Median survival from diagnosis is supposed to be 10 years, but I had a good case (a rare stage I), and with all the great new treatments coming online the confidence in that estimate is fuzzy. Anyway, since the cancer was never identified anywhere else in my body, the treatment was just removing the lymph node and a little radiation (18 visits to the radiation place, a couple of tattoos for aiming the beams, all in the summer with no work days off). We have no way (with current technology) to tell if I still “have” it or whether it will come “back,” so I can’t yet say technology saved my life from this one (though if I’m lucky enough to die from something else — and only then — feel free to call me a cancer “survivor”).
It turns out that all this life saving also bequeaths a profound uncertainty, which leaves one with an uneasy feeling and a craving for antianxiety medication. I guess you have to learn to love the uncertainty, or die trying. That’s why I cherish this piece of a note from my oncologist, written as he sent me out of the office with instructions never to return: “Your chance for cure is reasonable. ‘Pretest probability’ is low.”
From my oncologist’s farewell note.
It’s hard to imagine what I would have thought if someone told my 14-year-old self this story: One day you will, during a Skype call from a hotel room in Hangzhou, where you are vacationing with your wife and two daughters from China, decide to sue President Donald Trump for blocking you on Twitter. On the other hand, I don’t know if it’s possible to know today what it was really like to be me at age 14.
In the classic time travel knot, a visitor from the future changes the future by going back and changing the past. The cool thing about mucking around with your narrative like I’m doing in this essay (as Walidah Imarisha has said) is that it by altering our perception of the past, we do change the future. So time travel is real. Just like it’s funny to think of my 14-year-old self having thoughts about the past, I’m sure my 14-year-old self would have laughed at the idea that my 50-year-old self would think about the future. But I do!
